Category Archives: Art
Fireflies on the Water
Mark and I made a trip up to the Whitney on Saturday to catch the Kusama show before it came down.
To be honest the best part of the show is Fireflies on the Water, an awesome vertigo inducing experience. For the piece Kusama created a dark mirror lined room with small multi-colored fairy lights dangling within. The floor of the room is covered in several inches of water. Get it? fireflies over water.
As the viewer, you walk onto a small platform an inch above the water line and take in the infinite stretch of twinkling lights and 360 degree view of your butt.
It’s really beautiful, if you have a nice butt.
Kevin Francis Gray
Kevin Francis Gray is an English artist. He works predominantly in sculpture; bronze, marble and resin. His figures are mostly based on ‘street people’ (drug addicts and homeless people) who he meets around his studio. He currently has a show on view at Haunch of Venison in New York.
Often the faces of his sculptures are shrouded, symbolizing society’s willful blindness to the identities and problems of such members of our community.
Kevin Francis Gray’s statues give an elegance and importance to an otherwise overlooked section of our society. His use of bronze and marble, classical mediums, elevate his subjects to a new prominence.
His recent marble sculptures have been fabricated from Pietrasanta marble in Italy by long standing masters of the medium.
Kevin also designed the magic mirror in the recent Snow White and the Huntsman.
Gallery Girls episode 3
Amy got drunk. Chantal still slouches. Maggie did not have sex with Eli, yet.
Nothing has changed at Eli Klein Gallery, Maggie is still the gallery bitch. Today she gets to count pebbles in some dead bonsai tree pots. Meanwhile Liz goes out for dinner with Eli. He sleazes on for the entirety of the meal about how smart he was to open a gallery at the height of the art market bubble in 2007 and show exclusively bubble dependent Chinese art. He has obviously got some other form of income. Liz doesn’t care about any of it anyway. She eats her gluten free meal. Later when Liz brings Baby Jane aka Jane Holzer, important collector, to the gallery Eli asks Maggie to tend to the dogbowl outside the gallery. Maggie is mortified that Baby Jane sees her perform such a menial task. EARTH TO MAGGIE, Jane Holzer doesn’t know or care who you are, so it doesn’t matter what she sees you doing. When Maggie is introduced to Jane she doesn’t exactly wow her with charm and charisma, instead she stares at the floor and mumbles.
The slouching monotone nymphets of Williamsburg are installing some blue smudgy paintings at End of Century. Claudia looks deeply concerned and harrowed (this is becoming her signature look) and Chantal has her smart girl hipster glasses on, she means business today. Ethan Cook the artist is hailed by Chantal and Claudia as ‘smart and satirical.’ ‘His work is genius…mind bogelling.’ In fact his blue smudgy paintings are so profound that Chantal just doesn’t ‘get it at all,’ despite her smart girl glasses. To be honest his work looks like one of the drippy drapey dresses one of the EOC girls would wear. It turns out they haven’t even set prices for the work or discussed with the artist how they will split any of the unlikely profits. Claudia’s parents should have asked for a business plan before lending $15,000. It’s their own fault if they don’t see a penny of that loan ever returned. It’s gong show there. Later in the episode EOC hosts a trunk show for a jewelry designer. Chantal has the ‘epiphany’ that setting up a sale station might help them make some sales! I hope Claudia’s parents weren’t counting on the $15,000. Kerri shows up with a shirtless man in a kilt and eyeliner. She tries to quote Karl Lagerfeld, something about being able to go uptown and downtown. Kerri is obviously very versatile.
This episode we get to see more of Liz’s personal life. She discusses her reckless past, cocaine and clubbing, like any healthy rich girl would. Liz cooks lobsters at her apartment with her mom (BTW her chihuahua is the same size as the lobsters! I love it!). Liz and her mom talk about Liz’s past and her penchant for escargot as a 3 year old. She also used to play hide and seek on Noguchis and Miros, none of those boring jungle-gyms for this little princess. The art gods never forgot her bratty antics (crawling on sculptures is sacrilege) and someone mysteriously stomps on her collage in class at School of Visual Arts. What goes around comes around Liz, sorry.
Unfortunately Liz’s partying came at the cost of her father’s trust and admiration. They have an awkward dinner. No vacation this year. It’s actually legitimately sad when Liz says that she isn’t her dad’s favorite girl anymore. Liz seems to be in control of her life and on a good track. But agreeing to be on a reality TV show probably didn’t do her any favors in her father’s opinion. I like her the most out of any of the girls on the show. I must mention that Liz is the only one who seems vaguely interested in art for art’s sake and not for the glamour of it. She actually hangs some of her own paintings in her apartment.
Oh and Angela…Angela, Angela, Angela. She’s been living in Brooklyn for 3 years and still isn’t the IT girl. She waitresses and anyone who knows anything, knows that Angela is not meant to serve burgers. She ain’t going to do that anymore. This episode we discover that Angela has bigger aspirations than just being a hipster, she is going to be freelance party photographer in a sexy Clint Eastwood outfit! Hat and poncho included. She scampers off to an ‘arts and music fair’ in DUMBO to take photos of Chantal and Claudia slouch. Angela gleefully cries ‘ it’s free with cool young beautiful people, and I’m here!’ Later she plays out her long time fantasy of having an affair with a middle aged man having a midlife crisis. She goes on a date with Peter, a middle aged yuppie, who wears non-ironic but rather functional eyeglasses. Angela turns her nose up at him for shooting photos in film. She’s a digital only type of gal. Iphones and Gmail accounts need only apply (may I just ask, how do all of these starving hipsters afford their smartphone bills? I think those data plans are being subsidized). Lucky for Peter he’s not Angela’s type. He’ll survive to live another day, if you can call life without a smartphone any kind of life at all. We also discover Angela’s masterplan for becoming the IT GIRL. She’s going to host a party (I think in Miami) and it is going to make her BUZZ WORTHY. Oh and maybe she’ll show some of her party pics to make it artistically relevant. genius.
Art fair time with Kerri and Amy. Sharon Hurowitz brings her two interns to the fair and quickly dispatches them. She obviously doesn’t want them pestering her when she’s with a client. The girls are sent on a mission to find 1 piece of art that they like which will let Sharon know if they have any taste. Amy claims to have an edge because she has been to an art fair before. Kerri says she can prove she has ‘an eye’ out of shear determination and hard work. I love that this segment is treated as a scavenger hunt, as if it’s hard to find art at an art fair. That’s like telling someone to try to find sand at a beach. Art fairs are an assault on the senses, there is so much art it hurts. Kerri and Amy look around. Amy rushes off to Dorian’s, the Upper East Side bastian for preppy alcoholics and frat boys with separation anxiety. At Dorian’s Amy gets wastey faced (finally some one disgraces themselves a bit!) and tells Maggie that she’s rich enough to date a poor guy. I believe she mumbles something about being in the mob. Maggie is just relieved that people from Brooklyn are barred at the door at Dorian’s. Maggie leaves Amy at the bar, sinking her claws into some sweater vest clad boy. The next day Amy and Kerri meet Sharon for art fair show and tell. Amy’s makeup is smeared under her eyes…probably still drunk from Dorian’s. Amy could only find some Damien Hirst print (an obvious choice, Amy is a label whore) at the fair, Sharon is not impressed. Kerri describes some piece made out of trash bags, (so often art seems to be justified by its story not by its quality or content) Sharon approves.
Stay tuned for next week.
Is Angela willing to forgo pants in the name of fame?
Will Amy get laid?
Will Maggie have a nervous break down at work and poison the gallery’s dogbowl?
Helmut Newton superwomen
Helmut Newton is one of my favorite photographers.
Originally from Berlin, Newton lived in Australia, France and America. He started working with Vogue as early as the mid 1950s but didn’t really come into recognized success until the 70s with his work for Vogue France. He was married to June Brunell (who later changed her name to Alice Springs). They would work together – she became a renown photographer in her own right. Sadly Newton passed away in 2004.
His work can tend to the commercial but at the same time be very provocative, keeping it satisfyingly shocking.
And his subjects are always FIERCE. Through setting, highly contrasted lighting and dramatic poses he creates some of the most powerful photographs you can find.
His work often evokes S&M and plays with the role of domination. But the women always seem to be in control. They are an object but I never feel as though they are being objectified. They command their own presence.
He rarely shot in studios, preferring real interiors or streetscapes.
A wonderful series of work he did in the 80s was The Naked and the Undressed. These photos comprise some of his best known work.
His work can be really perverse.
Bulgari was rumored to have been a bit upset with this photo…they didn’t like their jewels dismembering a chicken. That cavity is so raunchy and gross.
I find Newton’s work glamorous, sexy and empowering.

























